<?xml version="1.0" encoding="iso-8859-1"?><!-- generator="b2evolution/3.3.3" -->
<rss version="2.0" xmlns:dc="http://purl.org/dc/elements/1.1/" xmlns:admin="http://webns.net/mvcb/" xmlns:rdf="http://www.w3.org/1999/02/22-rdf-syntax-ns#" xmlns:content="http://purl.org/rss/1.0/modules/content/" xmlns:atom="http://www.w3.org/2005/Atom">
	<channel>
		<title>Grumpyrocker - Latest comments on The Loudness War</title>
		<link>http://www.grumpyrocker.co.uk/?disp=comments</link>
		<atom:link rel="self" type="application/rss+xml" href="http://www.grumpyrocker.co.uk/?tempskin=_rss2&#38;disp=comments&#38;p=795" />
		<description></description>
		<language>en-UK</language>
		<docs>http://backend.userland.com/rss</docs>
		<admin:generatorAgent rdf:resource="http://b2evolution.net/?v=3.3.3"/>
		<ttl>60</ttl>
				<item>
			<title>Harry [Member] in response to: The Loudness War</title>
			<pubDate>Fri, 12 Sep 2008 11:46:54 +0000</pubDate>
			<dc:creator>Harry [Member]</dc:creator>
			<guid isPermaLink="false">c2915@http://www.grumpyrocker.co.uk/</guid>
			<description>A quick bump of this as the new Metallica album Death Magnetic suffers terribly from a hot mastering.</description>
			<content:encoded><![CDATA[A quick bump of this as the new Metallica album Death Magnetic suffers terribly from a hot mastering.]]></content:encoded>
			<link>http://www.grumpyrocker.co.uk/the_loudness_war#c2915</link>
		</item>
				<item>
			<title>Harry [Member] in response to: The Loudness War</title>
			<pubDate>Thu, 17 Aug 2006 12:40:25 +0000</pubDate>
			<dc:creator>Harry [Member]</dc:creator>
			<guid isPermaLink="false">c2066@http://www.grumpyrocker.co.uk/</guid>
			<description>Yeah, some CDs are pretty good and don't suffer the problem. I read an interesting article on the issue &lt;a href=&quot;http://www.stylusmagazine.com/articles/weekly_article/imperfect-sound-forever.htm&quot; rel=&quot;nofollow&quot;&gt;here&lt;/a&gt; a couple of days ago.</description>
			<content:encoded><![CDATA[Yeah, some CDs are pretty good and don't suffer the problem. I read an interesting article on the issue <a href="http://www.stylusmagazine.com/articles/weekly_article/imperfect-sound-forever.htm" rel="nofollow">here</a> a couple of days ago.]]></content:encoded>
			<link>http://www.grumpyrocker.co.uk/the_loudness_war#c2066</link>
		</item>
				<item>
			<title>Dan (rhythm) [Visitor] in response to: The Loudness War</title>
			<pubDate>Thu, 17 Aug 2006 12:29:43 +0000</pubDate>
			<dc:creator>Dan (rhythm) [Visitor]</dc:creator>
			<guid isPermaLink="false">c2065@http://www.grumpyrocker.co.uk/</guid>
			<description>Just listening to an old Jethro Tull CD (Aqualung, must be 15 years old at least) and it PLAINLY has none of the processing in place as My God varies wildly between quiet and loud, just as it should.  Gives a very good example of the processes you discuss up there, Harry</description>
			<content:encoded><![CDATA[Just listening to an old Jethro Tull CD (Aqualung, must be 15 years old at least) and it PLAINLY has none of the processing in place as My God varies wildly between quiet and loud, just as it should.  Gives a very good example of the processes you discuss up there, Harry]]></content:encoded>
			<link>http://www.grumpyrocker.co.uk/the_loudness_war#c2065</link>
		</item>
				<item>
			<title>Bill Door [Member] in response to: The Loudness War</title>
			<pubDate>Tue, 15 Aug 2006 19:32:08 +0000</pubDate>
			<dc:creator>Bill Door [Member]</dc:creator>
			<guid isPermaLink="false">c2063@http://www.grumpyrocker.co.uk/</guid>
			<description>I know the matter I refered to was a different one but it meant that prior to the current mastering trend, you couldn't get a decent cd press of a vinyl album because the transfer was crap, meaning that very few unadulterated CD's must be floating around. </description>
			<content:encoded><![CDATA[I know the matter I refered to was a different one but it meant that prior to the current mastering trend, you couldn't get a decent cd press of a vinyl album because the transfer was crap, meaning that very few unadulterated CD's must be floating around. ]]></content:encoded>
			<link>http://www.grumpyrocker.co.uk/the_loudness_war#c2063</link>
		</item>
				<item>
			<title>Dan (rhythm) [Visitor] in response to: The Loudness War</title>
			<pubDate>Tue, 15 Aug 2006 16:42:02 +0000</pubDate>
			<dc:creator>Dan (rhythm) [Visitor]</dc:creator>
			<guid isPermaLink="false">c2062@http://www.grumpyrocker.co.uk/</guid>
			<description>The only times I've spotted this are with the 25 year anniversary version of DSotM and the aforementioned RHCP albums, but that was because the changes were blindingly obvious.  That said, I am going deaf at the mo so my opinion can't really be trusted on these matters ;-)</description>
			<content:encoded><![CDATA[The only times I've spotted this are with the 25 year anniversary version of DSotM and the aforementioned RHCP albums, but that was because the changes were blindingly obvious.  That said, I am going deaf at the mo so my opinion can't really be trusted on these matters ;-)]]></content:encoded>
			<link>http://www.grumpyrocker.co.uk/the_loudness_war#c2062</link>
		</item>
				<item>
			<title>Harry [Member] in response to: The Loudness War</title>
			<pubDate>Tue, 15 Aug 2006 16:13:29 +0000</pubDate>
			<dc:creator>Harry [Member]</dc:creator>
			<guid isPermaLink="false">c2061@http://www.grumpyrocker.co.uk/</guid>
			<description>Those problems you speak of have nothing to do with this issue really. It's a case of vinyl mixes of old pre-CD albums being transfered to CD with no thought of working on them to fit the less warm digital medium.&lt;br /&gt;
&lt;br /&gt;
New material released on CD in the formats early days wouldn't have suffered the same way.&lt;br /&gt;
&lt;br /&gt;
There's nothing wrong with mastering or remastering records. It's what you choose to do in that process that's the problem. Hot Mastering to make everything loud is a huge problem. Remastering an old classic to bring it closer to the original vinyl release on CD is worthwhile.</description>
			<content:encoded><![CDATA[Those problems you speak of have nothing to do with this issue really. It's a case of vinyl mixes of old pre-CD albums being transfered to CD with no thought of working on them to fit the less warm digital medium.<br />
<br />
New material released on CD in the formats early days wouldn't have suffered the same way.<br />
<br />
There's nothing wrong with mastering or remastering records. It's what you choose to do in that process that's the problem. Hot Mastering to make everything loud is a huge problem. Remastering an old classic to bring it closer to the original vinyl release on CD is worthwhile.]]></content:encoded>
			<link>http://www.grumpyrocker.co.uk/the_loudness_war#c2061</link>
		</item>
				<item>
			<title>Bill Door [Member] in response to: The Loudness War</title>
			<pubDate>Tue, 15 Aug 2006 16:01:28 +0000</pubDate>
			<dc:creator>Bill Door [Member]</dc:creator>
			<guid isPermaLink="false">c2060@http://www.grumpyrocker.co.uk/</guid>
			<description>There must have been a tiny tiny window (no more than a few years) where CD's sounded good. I have a stack load of old &quot;AAD&quot; (Analogue recorded, analogue mixed, digital output) CD's and they sound shite. When the Levee breaks sounds like some scrawny bloke hitting a tin paint can and there is always the terrible terrible hiss &lt;img src=&quot;http://www.grumpyrocker.co.uk/rsc/smilies/icon_sad.gif&quot; alt=&quot;&amp;#58;&amp;#40;&quot; class=&quot;middle&quot; /&gt;&lt;br /&gt;
&lt;br /&gt;
The unremastered (is it a word, it is now!) Floyd albums I have from the 80's sound flatter than the mid nineties remastered too.&lt;br /&gt;
&lt;br /&gt;
So, where CD's ever bloody worth having in the first place then?&lt;br /&gt;
&lt;br /&gt;
&lt;img src=&quot;http://www.grumpyrocker.co.uk/rsc/smilies/icon_sad.gif&quot; alt=&quot;&amp;#58;&amp;#40;&quot; class=&quot;middle&quot; /&gt;</description>
			<content:encoded><![CDATA[There must have been a tiny tiny window (no more than a few years) where CD's sounded good. I have a stack load of old "AAD" (Analogue recorded, analogue mixed, digital output) CD's and they sound shite. When the Levee breaks sounds like some scrawny bloke hitting a tin paint can and there is always the terrible terrible hiss <img src="http://www.grumpyrocker.co.uk/rsc/smilies/icon_sad.gif" alt="&#58;&#40;" class="middle" /><br />
<br />
The unremastered (is it a word, it is now!) Floyd albums I have from the 80's sound flatter than the mid nineties remastered too.<br />
<br />
So, where CD's ever bloody worth having in the first place then?<br />
<br />
<img src="http://www.grumpyrocker.co.uk/rsc/smilies/icon_sad.gif" alt="&#58;&#40;" class="middle" />]]></content:encoded>
			<link>http://www.grumpyrocker.co.uk/the_loudness_war#c2060</link>
		</item>
			</channel>
</rss>
